More fun with Grayscale!

I'm lucky enough to have an ongoing gig with the website TheStoryElves.com. They keep a blog with weekly tips for young writers and I get to add a bit o' flair with a drawing. Every so often, one or two of these blogs lends itself to me having a blast with the content.

For instance... "a young writer with a cast of characters patiently awaiting his direction." This, my friends, is what field days are made of.

...plus the added fun of seeing the same characters sent on their way.

And sometimes a simple image like this just works completely out of context.

Also, a high-class tarsier  with a penchant for smoking jackets.

 

 

-S

Common Ground

It seems like I hit a pocket of education-based commissions recently. No complaints there. It is admittedly fun to trick myself into thinking I'm smart enough to have my work in front of scholars. Like I sneaked into the teacher's lounge by proxy. 

Then I read the paragraph I just wrote and reality comes crashing down.

Anywho... I was contacted by the American School Board Journal to create a cover for their March issue. The topic was the implementation of common core standards among US public schools. I had to convey the idea of unifying educational standards while raising them higher.

My initial round of sketches was pretty loose, as they've tended to be recently. When the art director leaves the solution very open ended I try to get as many ideas communicated without polishing them too much. My theory is that this will result in a quicker approval and more time to paint. However, after seeing Chris Whetzel's sketches, I think I may just be tricking myself into being lazy.
   The art director chose the obvious best choice. I knew the large grad cap was the best, but I really wanted to paint the tall hat crowd. I knew it didn't really make much sense, I just really liked how ludicrous it was. Sigh.

A big thanks to Carrie Carroll for the opportunity.
-S

Spectrum Silver Medal

In a feat of high improbability, luck, astrological alignment, wishes on a monkey's paw, and, I think, a possible gas leak at the judging....  I won a silver medal in the Unpublished category for this year's Spectrum Fantastic Art annual competition.

This happened.

I am beyond shocked and deeply honored.

The piece in question is this one here.

And the full video announcing the award winners can be seen here.

Creepin Baba.

Continuing with my infatuation of the Russian hag, I've been compelled to keep playing with the design and feel of Baba herself. This piece was part experimentation in atmosphere and texture, part development of character. Honestly, I wanted to paint a creepy piece.

I had an idea in mind of an image of Baba Yaga, out in the woods in the snow (NYC had quite a bit recently, I was in the mood) in overcast conditions. I wanted to capture the feeling you get when you realize you aren't alone in a room and someone has been looking at you the whole time you've been there.

Some of the more coherent thumbnails I generated.

Rough value study and tightened drawing

The final painting was a blast. I think I did more variations in texture than any previous painting, and had no idea I'd enjoy it that much. Messed up dried brushes, salt, lifts, the works. I'm pretty stoked to do more of its like.

Oh, didn't see you there.

-SB

The Silence of Eggs

A while back I was contacted by Sagoma Editore to do the cover and back cover for their upcoming book "The Silence of Eggs" or "Il Silenzio Dell'uovo" for those of you in Italy.  I received a brief, in awesome broken English, describing a fictional biography of a 19th century poet obsessed with the silence of things. They wanted to push the bizarrely humorous nature of a person stubbornly preoccupied with an egg's silence... as if the egg was holding out on the poet and the poet wasn't buying it. Oh, and another goal was to have the feel of high class literature. But,  you know... with an quiet egg.

I sent a couple ideas to see if I was in the ballpark of what they were looking for and quickly found out they really had no clue what they were looking for. Through a series of some of the most baffling art direction I've ever received, I produced a number of very loose sketches. 

The interrogation chair and the duct tape make me stupidly happy.

Of course they picked the only one I was sure they would not.

Yay.

So... I was to paint an egg for the front cover, with a monochromatic background. Before I could moan about the mind-numbing boredom of such a choice, the client sent a request for the back cover. He wanted the same egg, but now crushed by a frustrated poet's fist. Somehow, without knowing it, they asked me to create a rollover like I'd done many times before.

Of course, just the right flavor of angry/desperate/insane took a couple tries to nail down.

And despite all the struggle I'm pretty satisfied with the final. Maybe it's my narcissism since that poet is basically me with a mustache.

 -S

Baba Yaga, continued.

A while back I flirted with the idea of starting a Baba Yaga project that got to the level of doodles, then I was distracted by a stray butterfly or something and it fell by the wayside. Well it's a new year, and while there are plenty of distracting insects flitting around me, I've set myself to keep the story of Vasilisa The Beautiful (Baba Yaga's story) on my plate irregardless of airborne bugs.

I've been very inspired by artists who commit themselves to developing a giant body of work on, or simply committing themselves to, a single story. Mark Summers created a beautiful series on Moby Dick that, aside from the jaw-dropping finishes, has a completely full sketchbook of research to accompany it (check out a similar sketchbook on Abe Lincoln here). Justin Gerard and Sam Bosma have both explored Tolkein's The Hobbit in depth, with some truly gorgeous results. And, probably the most amazing example, Petar Mezeldzija's Legend of Steel Bashaw shows the very top tier of whats possible when you work for years on a project you truly care about.
     Anywho, now that I've compared myself to some badasses, I can comfortably underwhelm you with my own work. In a true eat-the-dessert-first fashion, I've been playing with Baba Yaga studies, knowing full well that, while she may be the most intriguing character in the story, she's definitely not the main one. Vasilisa will come later. First, I want to play with the gnarled knuckles, wilted skin and bad teeth of a Russian witch.
      I gathered reference from a bunch of places, but the absolute best resource I found for scary old ladies is thesmokinggun.com's mugshot gallery. You can even narrow the search just "fogeys' to get a great gallery of disheveled grammas. Add a bit of meth-addict and you are 90% there.

Not your gramma's gramma.

Baba Yaga had to be menacingly inhuman but still female. I learned quickly that when you draw the extremely elderly, it's a fine line between the sexes. And, while the one dead eye look may be a bit cliché, I dig it.

Check back soon for some more wrinkly goodness.

Editor's Note: When finding links for Petar Meseldzija's work, I noticed that Steel Bashaw took 15 years to finish. See you all in 15 years, when this project wraps up.

 

Bitesized Blogpost 4: A Factoid

I was invited to participate in a fun project illustrating a factoid, like one you'd find under a Snapple bottle. I ended up with "Tigers have striped skin, not just striped fur."

Here is what I came up with...sparing you all the bad drawings of tigers I made before I found my animal anatomy book.

And here's a figure painting from last night.  I'm not sure if I love or hate Yupo paper, but the results are always interesting.

...and that wraps up my bite-sized blogpost spree. Hope you all enjoyed. Now I must return to hibernation.
-S