End of Summer Round-up

Been running around a bit too much to stay on top of this blog like I should. But the summer is over, so here are some highlights from the last while...

-My work for A Brain Is For Eating was featured on Muddy Colors, thanks to my good friend Dan Dos Santos!

...which resulted in these two young boys forever scarred.

-I did a second Graveyard Book illustration based off of another thumbnail that I really liked. 

-This illustration for Wall Street Journal printed incredibly large and I'm stoked about that. 

-Your smartphone is already obsolete for Scientific American

-And I did this on the side of all the rest of those things as a sample of more finished work aimed at YA publishers. Had a blast figuring this one out.

 Thanks for reading!

-S

Graveyard Book, The IMC

 I attended this year's Illustration Master Class in Amherst, MA. It's a week long intensive, painting-based illustration workshop focusing mainly on narrative and adventure illustration. Many instructors are old friends, so it was a very fun week.

I also worked my ass off on this painting, inspired by Graveyard Book by Neil Gaiman. Because of the fancy camera work by Irene Gallo and James Gurney, it became my most documented painting. Irene got some progress shots and Gurney caught me starting the paints in a very cool video here:

http://www.youtube.com/watch?v=H9ZcVBo0S3o&feature=c4-overview&list=UUTIoOLzT1jbxAcPW99xn0zQ

 Hope you dig it!
-S

Spectrum 20

This year's Spectrum judges deemed this image worthy of inclusion.  

Pretty awesome to be included again, looking forward to seeing the book!

...and the book is available here {ahem}    https://itunes.apple.com/us/app/the-waking-prince/id582084676?mt=8

Waking Prince continued....

A follow-up/addition to/companion of The Waking Prince is in the works. This time as a very cool app for the ipad.  Here are a some peeks into the new artwork that will be included...

 More to show soon. -Scott

On 20468 Petercook

Illustration superhero and pal, Irene Gallo, asked me to whip something up for this short story by Andy Duncan about the comedy duo Dudley Moore and Peter Cook.  I have to admit that I was shamefully ignorant of their existence before this assignment. My mom thought Dudley Moore was the cat's pajamas and I vaguely recalled he and Kirk Cameron trading bodies some some awesome 80's movie. But, Peter Cook was completely new to me.

After watching Bedazzled (oh that movie with Brendan Frasier? ...no ), I found I'd missed out on a plethora of awesome. And discovered just how hot Raquel Welch was in her prime. The movie on Netflix, I highly suggest you get there. 

    Duncan's story made a lot more sense after getting familiar with the source material, obviously. Being very British, the plot was mainly the two characters chatting over tea, in a ship, in spaaaace.

 

Many bad likeness sketches later, I had a couple arrangements I was happy with. I dug the idea of them orbiting each other, or in a very sterile overly lit clean room with space portholes. And the more I could hint at the 60's/70's idea of the future! the better. Irene loved the first sketch since they were drinking tea while wearing helmets, something that didn't actually occur to me while drawing it.

 

Netflix helped me out again with easy reference screen grabs. And a some quick searches led me to the supremely campy jumpsuits from Lost in Space.

The tightened sketch I printed onto watercolor paper. I recently discovered Marvel badass Paolo Rivera works in a similar method but with gouache. But.. you know, he's a lot better at it.

And just to prove my job is easy, my fiance, Bonnie jammed this out in under an hour. She made a solid point.

Microvisions!

This is my contribution to this year's Microvisions Student Scholarship Auction.  I can confidently say that I've never fretted and worried over a painting like I did with this. A mix of intense intimidation, seeing the other artists' work trickle in, plus being too busy to start this earlier, and a couple sketch snafu's led quite a bit of self-doubt and panic.

After some exploration, I knew that I wanted to depict a love affair between a gorilla and his banana. I had this whole Gone With the Wind inspired scene, with the gorilla's hair tussled in the breeze, cooing at his unpeeled love. I sent this sketch to Greg Manchess to see if he got the joke and he kindly pointed out that it looked INCREDIBLY phallic.  I really don't know how I missed that. The issue was easily resolved by zooming out and making it very clear that it wasn't attached to the primate's groin. A big thanks to Greg. That could have been awkward.

And here are the rest of the ridiculously gorgeous submissions. From l to r, top to bottom: Rebecca Guay, Brian Despain, Scott Bakal, Terryl Whitlatch, John Picacio, Peter de Sève, Julie Bell, Scott Gustafson, Dan Dos Santos, Chris Rahn and Nathan Fowkes

You can find more info about the Microvisions auction here. It's a great fundraiser for students, and I'm proud to be a part of it.

Alice's tea party and something about sports

David Bamundo of the Wall Street Journal gave me a call with an overnight deadline. Luckily, he had an assignment that was right up my alley, so instead of preparing for a painful night of coffee and paint, I prepared for an awesome night of coffee and paint.

The story was about how Lewis Carroll, author of Alice in Wonderland, created the modern bracketing format used in sports tournaments. Nice and straightforward, lots of imagery to choose from (even if, due to my ignorance of sports, I needed David to send me an example of a tournament bracket).

And as a bonus, it printed larger and better than anything I've had in the Journal this far. 

Also, recently, I had the opportunity to do my very first live demo with my buddies at Awesome Horse Studios.  Feel free to watch me ramble about what I'm doing. A fair amount of my friends chimed in to mock my thumb ring, my taste in music and my existence. It was quite fun.

Here is the result:

value guide on one side, the result of a very distracted painting on the other.

And now I have my Microvision is in the works, so stay tuned...

Thanks!

Aung San Suu Kyi

Happy New Year!

Here's a quick portrait I did for my rep of Aung San Suu Kyi.

Bit of a new approach for me, but it was fun to jump into.

Speaking of new approaches, Night Shade Books's AD, Dave Palumbo, asked me to do a handful of comic strip interiors a while back. I had my qualms about taking the gig since I've never really worked that way. I love Dave and the work itself was so bizarre, I went for it.

The only copy I have with finished lettering. And probably my favorite. 

Oddly enough, this isn't the first time I've worked outside my comfort zone for sci-fi/fantasy work. A while back, I pinch hit for an interior artist for Tor.  This time doing a couple ink drawings for chapter heads. Irene Gallo had seen some ink drawings in my sketchbook and must have figured I could handle it.

Work from a sketchbook. Who knew?

Thanks for reading!

PS. It should be noted that the comic strip interiors were for a book Sam Wolfe Connelly did the cover for. It's gorgeous and his first book cover. He's the star of that show.
    It should also be noted that Dave Palumbo is a badass painter on top of Night Shade's art director.

The bedchambers

Here's a peak at another part of the series I've been working on. The whole project is wrapping around Thanksgiving, so I've been sequestered to my drawing table. Hence the lack of posts. Once I get my head above water again, I'll share some more. Stay tuned!
-S

My awkward years, immortalized in pencil.

I've been packing up my apartment to move from my current Brooklyn location to the hipster paradise of Williamsburg. My pants aren't nearly tight enough, and eyewear frames far too thin.

In the process, I found a sketchbook from middle school and early high school that somehow I've been hanging onto for.... 18 years? At the time I was taking weekly extracurricular cartooning classes in the backroom of a local Dick Blick. Being a very sedentary and sunlight-shy child/adolescent, my parents were quick to encourage anything that got me out of the house for an afternoon. I requested a bit of homework to add to the weekly comic pages (If I dig those up, I may show them as well) I was making, and this notebook was the result.

My instructor, who will remain nameless because he's since become an upstanding citizen, would make a list of complete ludicrous titles. My job would be to add a gag cartoon of some sort to each one. Here are a handful for your perusal (many were too blatantly vulgar to show. Trust)...

"The fat man with gigantic nipples standing on line for Star Wars on a cold night"

"Jerry and the Dog Sausage"

Top: "King Fatty Dumb Jackass in his castle eating gum" (apologies for the unintentional phallus) Bottom: "The animal kingdom bakes a cake for their friend, the loving manatee"

Top: "Giraff Whiplash" (sic) Bottom: "Morris the Cat arrested for beastiality" (sic)

Top: "Jerry the Gentile Giant" (sic) Bottom: "The Kitten Dog Fight"

"Exploding Robot Kittens"

Top: "The World's Fugliest Man Breaks Wind" Bottom: "Soil Trauser Aromatherapy" (sic)

Top: "Tina Tuna and Tom Terrific" Bottom: "Squirl Bread™" (sic)

Several things are instantly clear:
-my ability to draw animal anatomy was way more advanced than my human anatomy. Unfortunately, that isn't saying much.
-my love of Ren & Stimpy is very clear in the loving care I put into sausage and butt-acne textures
-the lists my instructor gave me were riddled with misspellings. I knew this at the time and thought they were funnier with the screwy spelling. I'm confident I am still right.
-while many are embarrassing, I'm pretty proud of a bunch of them. I will stand by the manatee, "giraff" and "squirl" any day.


And just to save my ego, here's some recent work.

Thanks for reading,
-S

Creepin Baba.

Continuing with my infatuation of the Russian hag, I've been compelled to keep playing with the design and feel of Baba herself. This piece was part experimentation in atmosphere and texture, part development of character. Honestly, I wanted to paint a creepy piece.

I had an idea in mind of an image of Baba Yaga, out in the woods in the snow (NYC had quite a bit recently, I was in the mood) in overcast conditions. I wanted to capture the feeling you get when you realize you aren't alone in a room and someone has been looking at you the whole time you've been there.

Some of the more coherent thumbnails I generated.

Rough value study and tightened drawing

The final painting was a blast. I think I did more variations in texture than any previous painting, and had no idea I'd enjoy it that much. Messed up dried brushes, salt, lifts, the works. I'm pretty stoked to do more of its like.

Oh, didn't see you there.

-SB

Baba Yaga, continued.

A while back I flirted with the idea of starting a Baba Yaga project that got to the level of doodles, then I was distracted by a stray butterfly or something and it fell by the wayside. Well it's a new year, and while there are plenty of distracting insects flitting around me, I've set myself to keep the story of Vasilisa The Beautiful (Baba Yaga's story) on my plate irregardless of airborne bugs.

I've been very inspired by artists who commit themselves to developing a giant body of work on, or simply committing themselves to, a single story. Mark Summers created a beautiful series on Moby Dick that, aside from the jaw-dropping finishes, has a completely full sketchbook of research to accompany it (check out a similar sketchbook on Abe Lincoln here). Justin Gerard and Sam Bosma have both explored Tolkein's The Hobbit in depth, with some truly gorgeous results. And, probably the most amazing example, Petar Mezeldzija's Legend of Steel Bashaw shows the very top tier of whats possible when you work for years on a project you truly care about.
     Anywho, now that I've compared myself to some badasses, I can comfortably underwhelm you with my own work. In a true eat-the-dessert-first fashion, I've been playing with Baba Yaga studies, knowing full well that, while she may be the most intriguing character in the story, she's definitely not the main one. Vasilisa will come later. First, I want to play with the gnarled knuckles, wilted skin and bad teeth of a Russian witch.
      I gathered reference from a bunch of places, but the absolute best resource I found for scary old ladies is thesmokinggun.com's mugshot gallery. You can even narrow the search just "fogeys' to get a great gallery of disheveled grammas. Add a bit of meth-addict and you are 90% there.

Not your gramma's gramma.

Baba Yaga had to be menacingly inhuman but still female. I learned quickly that when you draw the extremely elderly, it's a fine line between the sexes. And, while the one dead eye look may be a bit cliché, I dig it.

Check back soon for some more wrinkly goodness.

Editor's Note: When finding links for Petar Meseldzija's work, I noticed that Steel Bashaw took 15 years to finish. See you all in 15 years, when this project wraps up.

 

Bitesized Blogpost 4: A Factoid

I was invited to participate in a fun project illustrating a factoid, like one you'd find under a Snapple bottle. I ended up with "Tigers have striped skin, not just striped fur."

Here is what I came up with...sparing you all the bad drawings of tigers I made before I found my animal anatomy book.

And here's a figure painting from last night.  I'm not sure if I love or hate Yupo paper, but the results are always interesting.

...and that wraps up my bite-sized blogpost spree. Hope you all enjoyed. Now I must return to hibernation.
-S